The game started to be fun to play quite late in its development cycle. It took time before all the systems started to work cohesively together. The first one was to find the right gameplay loop recipe for all the gameplay pillars (combat, stealth, hacking and social). What was the most challenging thing you remember about this game? To this day, it’s still a story that we remember when we want to have a good laugh. David Anfossi, our producer back then, looked at our work, and then at us discouraged, he said: “You can’t properly install simple tables, and I’m supposed to make the next Deus Ex game with you guys?” We didn’t have any instruction sheets with us, thus, the tables ended up super crooked. We brought them to the temp space and put them together. Jonathan Jacques-Belletête (Art Director at the time) and I went in a storage room to pick up unassembled tables. One of the funniest was on day one: we were in temp spaces, and we had no desks to install our computers on. What’s your favorite memory about working on the game? Nevertheless, I’d say those four years making this game is one of the biggest highlights in my career, followed closely by Marvel’s Guardians of the Galaxy. We had to face many challenges to make things happen as new team and as a new studio.
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We needed to choose the technology available to us, and learning how to use it, on top of figuring out how to pull off the best Deus Ex game we could. The physical office spaces had to be prepared. It was also the beginning of Eidos-Montréal as a studio. First, it was a unique opportunity to bring the franchise that I love to the next level.
What does Deus Ex: Human Revolution mean to you?ĭeus Ex: Human Revolution means a lot of things to me. Jean-François Dugas (Senior Creative Director) talks Deus Ex: Human Revolution
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